Marie Perbost

Singer

Encouraged from an early age by her singer mother, Marie Perbost entered the Maîtrise de Radio-France where she studied with conductors such as Kurt Masur and Myung Wung Chung. She was accepted at the Conservatoire National Supérieur de Paris, where she was taught by Alain Buet and Cécile de Boever.

Marie Perbost perfected her skills in the repertoire of the Lied and the melody with Anne le Bozec. With the pianist Joséphine Ambroselli, her privileged partner in this artistic adventure, she received the special prize of the "Friends of the Lied" at the International Lied Competition of Enschede (Netherlands) in 2013, laureates of the International Competition "Les Saisons de la Voix" of Gordes in 2014 and Grand Prize of the International Nadia and Lili Boulanger Competition in 2015.

In opera, she has taken on roles as diverse as Blanche de la Force in Les dialogues des Carmélites, Despina in Cosi Fan Tutte, Elisetta in Cimarosa's Le mariage secret or La Jeune Femme in Boesmans' Reigen. She won the prize of the "Centre Français de Promotion Lyrique", at the competition of the Opéra Grand Avignon and was a finalist of the Geneva International Competition 2016. She is also very attracted to the operetta repertoire that she loves to defend on stage. In 2016, she was named "Révélation Lyrique" by ADAMI.

She was chosen by Lionel Sow for Brahms' Neues Liebeslieder Walzer at the Philharmonie de Paris, by Emmanuelle Haïm at Les Invalides or by Philippe Pierlot for Bach's St John Passion at Notre Dame de Paris. She has also been invited to prestigious festivals such as the Folles journées de Nantes, the Festival de Froville, the Festival Mozart, the Chapelle royale de Versailles, the Péniche Opéra, the Festival du Périgord noir, the Festival de la Vézère, the Festival Pablo Casals.

As a member of the Académie de l'Opéra de Paris, she can be found in the programming of the Amphithéâtre de l'Opéra Bastille throughout the 2017/2018 season, as well as at La Folle Journée de Nantes.

Among all her operatic and concert roles are Pamina in The Magic Flute, Marzelline in Fidelio, Tullia in Il Mondo Alla Roversa (Galuppi), Lucine in Testament de tante Caroline (Roussel), Campra's Requiem, La Folie in Platée; in Salzburg, Tourcoing, Tours and Paris.

Committed to the dissemination of contemporary creation, she is a founding member and solo soprano of Ensemble 101, a contemporary a cappella musical theater collective that creates and performs its own works. The ensemble has won numerous French awards for contemporary creation and is currently in residence at the Villa Arson in Nice until 2019.

Marie Perbost is a recipient of a grant from the Fondation l'Or du Rhin (Fondation de France), the Meyer Foundation and the Kriegelstein Foundation.

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