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From Deauville beach, facing the sea, you take in a space where the sky and the sea are reflected. Right: Sainte-Adresse and Le Havre, then Honfleur, the cliffs of Villerville, the mouth of the Touques and Trouville… Left: Villers, Les Vaches noire, and Houlgate. This space was the cradle of impressionism. On the occasion of the Normandy Impressionist Festival, we are offering a three-stage route. Take advantage of your getaway to see further: festivals and exhibitions are on the program for the summer of Deauville.

Eugène Boudin - Deauville beach© Museum of Fine Arts of Caen, Martine Seyve, photographer
@ Naïade Plante


Born on July 12, 1824 in Honfleur, Eugène Boudin, precursor of Impressionism, spent his youth in Le Havre and then stayed from 1864, every summer in Trouville-sur-Mer and Deauville. It transcribes the scenes of seaside life, from the elegant to the effervescence of the markets, from the augeron landscapes to the ports. Painter of the skies, he strives in his paintings to transcribe the transience of light, the changing skies, the matter of the clouds and the fickleness of the sea. In Deauville, Eugène Boudin is seduced by the view that one a from Deauville beach, from the pier. He settles there regularly with his easel and declines this same view of the beach, with the same framing under different lights.
In 1884, he built his house in Deauville, the Villa Les Ajoncs - a small Dutch cage - now renamed La Breloque, at 8 rue Olliffe - where he spent the last fourteen years of his life, It was in this house that he died on August 8, 1898.
Eugène Boudin produced over a hundred canvases and gouaches in Deauville. Since 1998, a plaque has been affixed to the facade of the house where he lived. In August 2010, a plaque was also placed on the Port Deauville breakwater. She reproduces the painting "La plage de Deauville" (1893), which belongs to the Musée des Beaux-Arts de Caen.


Indispensable portraitist of the society of the turn of the XNUMXth and the first half of the XNUMXth century J.É. Blanche rubs shoulders with the greatest figures of her time, both in Paris and in Normandy.
He stayed for the first time on the Côte Fleurie in the summer of 1891 in Trouville-sur-Mer at the Manoir des Frémonts. There he met a young law student, Marcel Proust. Seduced by this holiday, Rose and Jacques-Émile Blanche returned from 1896 to 1901 at the Château de Tout-la-Ville between Deauville and Pont-L'Évêque, where they received the literary, political and artistic Paris. The painter Paul Helleu - whose portrait he made of his son Jean - and André Gide stayed there among other guests.

In 1902, he acquired a large property in Offranville (Seine-Maritime) called the Manoir du Tôt where he lived every summer until his death. If Stravinsky, Cocteau, or Anna de Noailles - whose portraits he produced - write the history of the arts with an "H", they also write the history of Deauville, then in full swing.
The style of Jacques-Émile Blanche, both lively and of great refinement, borrows from sources of inspiration both British and French. Maurice Denis describes the portraits of Blanche as “a precious ensemble for the historians of the future; this gallery is the Pantheon of an era ”.


Leaving the Viewpoint, go to Place Claude Lelouch. In the Cour des Bains Pompéïens, which you will access through the Sea Baths office, discover portraits of impressionist women.
An exhibition paying homage to Berthe Morisot, Marie Cassat ... in the open air which brings together portraits drawn by Simonne L'Hermitte, making them lively and current.
These original portraits were photographed, worked. They are reproduced in large format, accompanied by some biographical elements and a reproduction of a painting by the artist represented, to restore and measure the female part of the Impressionist adventure.

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