Olivier Dekeister was born in 1977. He began his musical training by studying the violin at the age of 4, then turned passionately to the organ. Pupil of Georges Bessonnet, Haru Espinasse then of Marie-Claire Alain who taught him the baroque organ as well as the symphonic and contemporary organ, he then entered the class of Pierre Pincemaille at the Regional Conservatory of Saint Maur (94) and obtained the gold medal in Improvisation (2009). In addition, he won the first prize for Harmony at the Nanterre conservatory, the First prize for Organ Superior of the Hauts de Seine (1998), a mention very well in Writing (2007), as well as a mention very well in Counterpoint (2008).
At the age of 22, he was appointed owner of the great organ Debierre de Saint Lambert de Vaugirard in Paris. He regularly gives concerts as a soloist or as an accompanist, in Paris as in the provinces (Requiem by Duruflé (with choir), Te Deum by Handel, Gloria by Vivaldi, Magnificat by Bach (with choir and orchestra), Duo Saxorgue (with saxophone) , The most beautiful Ave Maria or Sacrée Soirée (with soprano), Bach Cantatas (with Soprano and Violin), Grandes Ecuries du Château de Chantilly (with hunting horns), Christmas Fairy-Opera Garnier (with 3000 singers)), is called to play in various festivals (Cantica Sacra de Rocamadour, Versailles to the sound of organs, Mantes la Jolie, La Ronde des Orgues (Essonne), Bayonne, Lethorad (Czech Republic), Festival Amati (Italy)…), participates in creations (Euphonia by Olivier Penard, Symphony by Olivier Greif, Messe brève by Georges Bessonnet, St Jean Baptiste au Désert by Guerric Giacomini) of rediscovered works (Stabat Mater by Clémence de Grandval, Le Baptême by Clovis by Théodore Dubois) , sometimes broadcast events (France Cult ure, Radio Notre Dame) or broadcast (KTO, Canal Satellite).
Composer, he wrote vocal and instrumental pieces which, for some, are given regularly in concert and were broadcast in October 2005 (France Culture).

Francisco Manalich, tenor and violist was born, in 1984, in Santiago de Chile, Francisco Mañalich studied musicology at the Catholic University of Chile. Trained in song with the tenor Rodrigo del Pozo, in 2009 he won the Prize for interpretation in lyric song with distinction. He also studied viola da gamba with Juan Manuel Quintana and Nima Ben David. At the same time, he specialized in basso viola da gamba with Frédéric Michel. From 2013 to 2015, he followed the master at CNSMDP with Christophe Coin.
As a singer, his training path led him to specialize in various repertoires: baroque song, German lied, French melody, Mozartian roles and bel Italian canto. His interest in early music led him to study medieval and Renaissance music as part of the professional master of the Sorbonne (Bourse Master Ile de France) in partnership with the CNSMDP, where he was trained in polyphonic improvisations ( XNUMXth-XNUMXth centuries), reading manuscripts and medieval counterpoint with Raphaël Picazos. He is now perfecting the classic and romantic repertoire with Christine Schweitzer.
He works as a singer and violist with the ensembles La Révérence (Christophe Coin), La Fenice (Jean Tubery), Le Parlement de Musique (Martin Gester), Correspondances (Sébastien Daucé), Stravaganza, Hemiolia (Claire Lamquet), Faenza ( Marco Horvat), Hélène Schmitt, Il Festino (Manuel de Grange), Le Sans-Pareil (Bruno Procopio), La Fabrique à Théâtre (Jean-Denis Monory), Clément Janequin (Dominique Visse), Séquentia (Benjamin Bagby) and Dialogos ( Katarina Livljanic). He recorded two discs with Il Festino: Dove ne vai crudele (five tuning forks) and Stefano Landi, arie da cantarsi with Musica Ficta; a disc dedicated to H. Biber's Rosary Sonatas with Hélène Schmitt (Aeolus) and recently, the Royal Night Concert with the Correspondances ensemble (Harmonia Mundi).
Since 2012, he has been part of the production of the Bourgeois Gentilhomme (Molière, music by Lully), directed by Denis Podalydès and directed by Christophe Coin, in which he demonstrates his versatility as a violist and singer, and accompanies also on guitar. Created at the Bouffes du Nord (resumed in 2015), the show has been performed in various European halls, as well as in Moscow and Japan, during three tours (over a hundred performances). In 2015, Alpha Production recorded a DVD of the production at the Royal Opera of Versailles.

In 2015, Francisco Mañalich was part of the production of the opera L'Italiana a Londra by D. Cimarosa, as part of the lyric workshop "Baroque Generation" of the ensemble Le Parlement de Musique, conducted by Martin Gester. He performed Ferrando in Così fan tutte in 2015-2016 in Lyon and at the Manège de Saint Germain in Vienna (dir. Claire Levacher, mes Zoltàn Csekö), then sang the role of Idamante in Idomeneo at the Maison de la musique de Nanterre ( dir. Dominique Daigremont, my Jeanne Debost).
As an instrumentalist, he developed an interest in accompanying singing in different styles (ancient, classical, contemporary and popular music), an interest which he was able to put into practice in recent productions and concerts, where he sang and accompanies viola da gamba, arpeggione and guitar.
In 2014, he founded the Comet Musicke ensemble, a field of expression for the singer-songwriter who accompanies himself in the various repertoires of early music.

Jacques-François l'Oiseleur des Longchamps At first, as a child, he read a lot, drew, learned to ride a horse, then he started music, studying the guitar, the transverse flute and singing, often being on stage in school productions. At the age of 20, he decided to study the male viola register, a register in which he pursued a career for 8 years. Then he decided to rework his baritone register, with soprano Aneta Pavalache; he quickly took on the Mozart roles: Papageno, Almaviva, don Giovanni, Guglielmo. He will also sing the great baritone roles, from Monteverdi to Britten, in theaters in Europe and North America, as well as the concert repertoire and the sacred repertoire: Bach, Handel, Delalande, Campra, Charpentier, Lully, Haydn, Pleyel, Mozart, Mendelssohn, Brahms, Dvorak, Elgar, Fauré ... He has a great inclination for the melody and Lied repertoire and he has collected, over the course of his travels and peregrinations, hundreds of more scores edited or extremely rare, which allows it to offer unique programs, on a special theme: female first names, the rose, the moon, orientalism, birds, horse, sung waltzes, perfumes, snow, the lake, lullabies, religious melodies, Venice… or on poets: Alfred de Musset, Anna de Noailles, Albert Samain, Tristan Klingsor… or on lesser-known composers: Armande de Polignac, Jacques de La Presle, Charles-Marie Widor… He has created many contemporary works and especiallythose of Olivier Greif. He has participated in several recordings, shows and films.
With the Cie de l'Oiseleur he recreated rare works: "Galathée" by Victor Massé, "Nausicaa" and "la colombe de Bouddha" by Reynaldo Hahn, "Claudine" by Rodolphe Berger, "Brocéliande" by André Bloch etc…
He also directed (and produced the lights and costumes) operas, plays and directed short films. He is also a portrait photographer and since 2000 he has undertaken an important photographic work on archaic Greek mythology: MYTHOLOGICAL VARIATIONS.
He recorded two records with Hybrid Music: CHEVAUCHEES LYRIQUES Vol.1 & Vol.2
He designs new music-lyrico-equestrian shows with a whole team of musicians-singers-artists on horseback.
Next autumn, two discs will be released, one dedicated to Victor Hugo set to music by Charles-Marie Widor and the other to Armande de Polignac.



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